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Mick, distraught and heartbroken, turned to two things that gave him comfort. with Mick, but the unprecedented success of Rumours hammered another stake into their relationship, and six months after kicking all her drug and alcohol habits, Jenny divorced Mick and returned to England. Shortly after the addition of Lindsey and Stevie, Boyd left Mick to live with her sister, Pattie, and her beau, Eric Clapton. Jenny’s affair with Bob Weston didn’t help matters much, for not only did it create tensions within the band (leading to Weston’s dismissal), it also caused Mick and Jenny’s relationship to collapse. Mick Fleetwood’s relationship with Jenny Boyd had always been a tumultuous one, sparked by the strenuous toll of being on the road and the perpetual lack of success before 1975. Why don’t you ask him if he’s going away? Why don’t you ask him if he’s going to stay? Because of this extension of his lyrics to the second and third person, the listener is drawn even closer to the music. During "Tusk," though, Lindsey begins to take on not only his point of view, but also the point of view of others. We are drawn in to the discussion, possibly relate to situations he is going through, but keep an element of separation-this really is Lindsey, not me. Songs like "Big Love," "Street of Dreams," and especially "Go Your Own Way" take on a feel of an interpersonal or intrapersonal communication he is sharing with us all. Lindsey usually writes as if he is talking to another person, not to a general audience. Lyrically, Lindsey Buckingham follows a consistent pattern-he writes simply but ambiguously. For this reason, "Tusk" in both lyrics and music form the musical painting Buckingham strives to conceive.
FLEETWOOD MAC PBS SPECIAL SONG LIST SERIES
The song as a whole is built by a series of simple, unifying factors that work together to form a stratification of musical lines. The "Tusk" single, in fact, reached #9 in the Billboard charts, showing that at least true Fleetwood Mac fans were willing to accept the new sound and open their minds to a brilliant songwriting experience. Though it failed to sell the 17 million copies its predecessor did, Tusk the album sold 4 million double-albums taking the $16 price tag in effect, the sales were more than modest. Many feel that Tusk personified the extreme U-turn Fleetwood Mac took to avoid matching the formula that made Rumours achieve phenomenal record sales. Tusk employs Burgundian-European chanting, a marching band, polyrhythms, countermelody, and a Ghanaian drum beat to form a rock version of a tribal march, straight from the pen and psyche of Lindsey Buckingham. This is something completely different.Īnd so begins the most experimental track (and also the first single) from Fleetwood Mac’s double album. Here, even before any music starts, one knows that this is not Rumours II, nor is it anything that has ever been heard. The echoes hypnotize the mind, and the listener is drowned among the organized chaos. Instead of a catchy drum riff, a glorious melody, a piano obstinato, or a bass line, the listener is sucked into a circling array of indiscernible voices and echoes that builds and crescendo into each other. Then, Track 19 comes along, and things begin to change. Along this diverse and unusual path, one finds upbeat and sometimes quirky songs that though resemble very little from their previous LP, Rumours, do not totally separate from the Fleetwood Mac much of the public knew and loved. Some biographical information courtesy of The Penguin:Īs one plods along the track listing on his or her first listening of Fleetwood Mac’s double album Tusk, the avid listener is exposed to rock marches ("The Ledge"), hypnotizing females ("Sisters of the Moon"), sexual frustrations ("Not That Funny") and accordions ("I Know I’m Not Wrong"). Grebner, Stephanie M, Justine, Leah Kindsey, Lauren, Joanne, Steph, Hayley, and Jessica. Why don't you ask him who's the latest on his throne?Ĭontributors to this interpretation included: Erik M. Why don't you tell me who's on the phone? Why don't you ask him if he's going away? Rolling Stone: Ranked #25 in Rolling Stone's "500 Greatest Albums Of All Time" - ".The Mac's catchy exposes, produced with California-sunshine polish, touched a nerve.Why don't you ask him if he's going to stay? San Francisco (Be Sure To Wear Flowers In Your Hair) Maria (Pablo Flores Spanglish Radio Edit) Aquarius/Let The Sunshine In (The Flesh Failures) (From "Hair") Fleetwood Mac also appears in this compilation